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address The Historical Text as Literary Artifact and The Fictions of Factual Representation. 44 But more signi cant for our purpose is an essay in which White turned from history to historical lm. In 1988 the American Historical Association published a Forum on history and lm in its journal. White contributed an essay in which he inquired into the relative adequacy of what we might call historiophoty (the representation of history and our thought about it in visual images and lmic discourse) to the criteria of truth and accuracy presumed to govern the professional practice of historiography (the representation of history in verbal images and written discourse). 45 White s neologism, although inelegant, is to the point. As he puts it:

I also emphasized that for much of the match he had demonstrated how far his game had come and that his hard work was paying dividends John just looked at me blankly I kept talking I told him that his original plan of taking the ball early and attacking his opponent s backhand seemed to work well and that it would have been interesting to see what would have happened if he kept doing that John then gave me a vicious stare and stormed off the court What happened I asked myself I was just trying to help him learn I gave him feedback in a caring, supportive way and only a few things to work on I thought John really wanted improve.

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The next day John came to me and told me that after a match, especially after a loss, he does not want to hear any feedback, positive or negative If it is something reinforcing, or positive, he is not going to be able to hear it in the emotion of the moment If it is something developmental, or something that might be viewed as negative, he is going to be even more upset That was a great lesson for me: When emotions are running high, hold off on feedback There will be plenty of time for it later I have tried to use this lesson in my work in the business arena as well..

The program needs to acknowledge that each S60 delivery includes many things and has a prede ned structure. The content of an example delivery is: S60 source codes sources of the adaptation layer stubs integrated Symbian OS sources for the platform S60 binaries release note change log structure changes log build tools The S60 development environment consists of development computer software and the S60 release on an otherwise empty drive. The S60 drive contains the platform plus the Symbian OS combination and an engine (adaptation, base port and modem software), which should come from the phone program. The directory structure of the development environment is the following:

class Foo { public: // Constructor Foo(int n = 0):iVal(n){} // Overloaded functions int Get() const {return iVal;} // Differentiate on parameter void Get(int* val) const {*val = iVal;} // lists, not on return type // Overloaded operators Foo& operator+=(int n) { iVal+=n; return *this; }

Per serving: Calories, 350; Protein, 18 g; Fat, 23 g (63% cal.); Cholesterol, 130 mg; Carbohydrates, 12 g; Fiber, 0 g; Sodium, 480 mg.

To practice moving nodes around, we order the solar system model that was linked in the preceding chapter. When Max places nodes in the Schematic View, it really doesn t follow any specific order, but you can move them as needed by hand. To rearrange the solar system nodes, follow these steps. 1. Open the Ordered solar system.max file from the Chap 11 directory on the DVD. This file includes several named spheres representing the solar system. 2. Select Graph Editors New Schematic View to open the Schematic View window. All planets are displayed as blue nodes under the Sun object. 3. Select Options Reference Mode to position all the nodes horizontally. Click the Select tool on the main toolbar (or press the S key). 4. Make sure that the Options Always Arrange option is disabled. Then click and drag the Mercury node to the left, and place it front of the Venus node. 5. Select the Options Move Children (Alt+C) menu command, and drag and drop the Saturn node between the Jupiter and Uranus nodes. With the Move Children option enabled, the Saturn rings node moves with its parent. 6. Drag and drop the Pluto node beyond the Neptune node. 7. Select all the planet nodes, and choose Layout Align Top to align all the nodes together. Figure 11-5 shows the rearranged hierarchy with all the planets lined up in order.